Course | Cyanotype Printing

We love to include interesting creative techniques in our course offerings. As creatives, it's so important to continue to explore new techniques and expand our horizons when it comes to our craft. For Semester II, we are offering Cyanotype Printing.

Design House Prep School | A School for Creatives | Cyanotype Botanicals

Cyanotype printing was a method of printing invented in 1842. With its origins in reproductions, specifically blueprints (hence the name), it uses the photographic printing and development process to create gorgeous cyan or prussian blue prints. 

Aside from using cyanotype printing on paper products, I have successfully used it to create lovely unique prints on fabrics, most recently a silk scarf. While it is a process that requires patience and time (and a dark space with no light!), the results are phenomenal. In this course, we will be learning the ins and outs of the process and create some botanical prints! 

Registration for Semester II courses will open on December 12, so mark your calendars! Classes will become available on January 13, 2017. 

Course | Branding

Our next course for Semester II is all about Branding!

Design House Prep School | A School for Creatives | Branding

In a creative market, branding is king (or queen, but she's a hereditary queen, so the king doesn't outrank her. There's a little monarchy humor for you!). How you brand yourself affects how potential clients view you before they've ever even made contact. 

In this course, we'll look at how to go about branding your company, how to define your brand style, define your market and how to brand for it, and how to design for yourself (we're our hardest clients!).

We'll utilize design boards and sketching, working through our own creative processes, so if you're signed up for class passes of all the Semester I and II courses, definitely consider taking the other ones first! 

Registration for Semester II courses opens again on December 12th. Classes will become available beginning January 13 until the end of the semester in June 2017. 

Course | Design Boards for Creatives

Next up in our courses for Semester II, Design Boards for Creatives!

Design House Prep School | A School for Creatives | Design Boards

This course focuses on design boards and how to utilize them in your own creative process to hone in on and communicate design scopes to clients. It works great as a follow up to the Sketching for Creatives and Establishing Your Creative Process courses from Semester I. In fact, we would highly suggest taking at least the Creative Process course before this one, so that you can best put your design boards to work within your creative process. 

Further narrowing your creative process allows for less time doing the back and forth with clients as well as reducing the amount of time spent with too many ideas flying around. Design boards help both you as the creative, as well as your client, keep the end design goals in mind, stay focused, and work more efficiently. In this course we will discuss what design boards are and their purpose within your creative process and go through how to create one effectively. 

Registration for Semester II courses begins December 12th and classes will be available on January 13th, 2017. Can't wait to see you there! 

Modern Calligraphy Summit | Free Holiday Video Series
gorgeous wreaths by Wildfire Paper Co.

gorgeous wreaths by Wildfire Paper Co.

I had the privilege of teaching flourishing in the Modern Calligraphy Summit 1.0 (under my stage name, Victoria Rothwell).  If you're in the very beginning stages of learning lettering or calligraphy, the Modern Calligraphy Summit would be a great fit for you! 

If you missed our awesome free video series for the Modern Calligraphy Summit last year, you're in for a treat!  We're relaunching the series for your viewing pleasure!  Follow the link below and enroll with your email for the free video series! 

December 1st:  Hand lettering for holiday cards with Drew Europeo

December 2nd: Mixing metallic inks with ME!! (as my covert ops name, Victoria Rothwell)

December 3rd: Creating gorgeous holiday watercolor wreaths with Annie from

You can also enroll for the upcoming Modern Calligraphy Summit 2.0 from December 6-9th! 

Course | Time Management

Next up for our Semester II courses, we have Time Management!

Design House Prep School | A School for Creatives | Time Management

Whether you run your own business from a studio, balance a full time job with a side hustle and family, or anything in between, knowing how to prioritize your time is integral to running your business effectively and getting things done.

Learning how to prioritize, eliminate, stay on task and delegate is life changing - it certainly was for me! Going from working 80+ hours a week to working 36 or less and taking the month of December off gave me the energy and drive I needed to build my business and stay sane.  

I've gotten a lot of questions and feedback from students about the difficulty they face in finding enough time in the day to do all the things they need to do. In this course, we'll get into the nitty gritty of necessity, learn how to prioritize our time and tasks, and get more done in a shorter period of time. 

As with all the other Semester II courses, registration will open on December 12, with class materials becoming available on January 13th!

Showcase | paper bow london

 

katie szadziewska

@paperbowlondon

 

Design House Prep School | Student Profile | Paper Bow London

"I've just watched the "no such thing as a bad client" bonus video and, despite my initial skepticism on the subject it's really made me rethink...

I had a client early this year who I deemed a nightmare - I told anyone and everyone about this client and how terrible the process was from start to finish. It really knocked my confidence.

Now, with the benefit of hindsight, this wonderful bonus video, and some fabulous clients, I've been able to take a step back and reconsider... What could I have done better? Was I simply passing the blame to the client when I could have managed the process better? What steps have I take with the clients I have enjoyed working with and how do I implement that with new clients? All tricky and thought provoking questions!

Thank you for challenging how we think as creatives, it's so refreshing being pushed to think more closely about business, client handling, and the design process."

- Katie

Course | Watercolor II

We'll be walking through our semester II course lineup over the next few days!  First up, one of our creative courses for semester II is Watercolor II

Design House Prep School | A School for Creatives | Watercolor

Watercolor II

Our first watercolor course (aptly named Watercolor I from Semester I) focused on color theory and understanding the colors and paints you're working with. With this second step in Watercolor II, we will be building on our previous knowledge, moving on to more color mixing as well as understanding how different base shades mix together.  

We'll be mixing custom colors to match Pantone or printed shades, perfect if you're a calligrapher mixing ink to match a clients invitation.  We'll also look at how to mix custom ink for dip pens. 

As with all the other Semester II courses, registration will open on December 12, with class materials becoming available on January 13th!

If you haven't already taken the first Watercolor I course, but think you might want an introduction or refresher in color theory, registration is still available for Semester I courses through till June 2017! 

Cyber Monday Flash Sale!
Design House Prep School | Cyber Monday

Get in early for Semester II registration!  We're opening up pre-registration for Semester II courses on Cyper Monday!  Use coupon code 'cybermonday' and get 20% off all Semester II courses, including the Class Pass.  

Semester II courses will open for full registration on December 12th

 

Design House Prep School | A School For Creatives

PRICING FOR CREATIVE BUSINESSES II

Our second semester pricing course will dig a bit deeper into the world of pricing.  We'll look at specific pricing examples in two industry categories:  custom calligraphy projects and building a pricing sheet as a paper pusher (i.e. stationer).   Pricing for custom calligraphy projects will include large scale quotes, wedding vows, family crests, large menus, large seating charts, etc.  We'll talk about how to price your time as well as the cost of product for these situations in addition to building your pricing as a calligrapher and the different pricing structures that are available.  The second example we'll get into is pricing paper, printing, assembly details, and your time as a stationer to cut down the time it takes to get quotes to clients and ensuring accuracy in  your pricing. 

 

CREATIVE: WATERCOLOR II

Following up our watercolor I course (color theory), we'll be moving in to more color mixing as well as understanding how different base shades mix together.  We'll be mixing custom colors to match pantone or printed shades, perfect if you're a calligrapher mixing ink to match a clients invitation. 

 

CREATIVE: CYANOTYPE PRINTING

Cyanotype printing, invented in 1842, originally had its origins in reproductions, specifically blueprints (hence the name) but also can produce gorgeous cyan or prussian blue prints.  We'll learn about the process and create botanical prints!  

 

CREATIVE: DESIGN BOARDS FOR CREATIVES

Following up our Sketching for Creatives and Establishing Your Creative Process courses in semester I, we'll be doing a course in design boards and how to utilize them in your own creative process to hone in on and communicate design scopes to clients.  Further narrowing your creative process allows for less time doing the back and forth with clients as well as reducing the amount of time spent with too many ideas flying around.  Design boards help both you as the creative, as well as your client, keep the end design goals in mind, stay focused, and work more efficiently.  

 

TIME MANAGEMENT

Learning how to prioritize, eliminate, stay on task and delegate is life changing - it certainly was for me.  Going from working 80+ hours a week to working 36 or less and taking the month of December off gave me the energy and drive I needed to build my business and stay sane.  In this course, we'll get into the nitty gritty of necessity, learn how to prioritize our time and tasks, and get more done in a shorter period of time. 

 

BRANDING 

In a creative market, branding is king (or queen, but she's a hereditary queen, so the king doesn't outrank her.  Theres a little monarchy humor for you).  We'll look at how to go about branding your own company, how to define your brand style, define your market and how to brand for it, and how to design for yourself (we're our hardest clients!).  We'll utilize design boards and sketching, working through our own creative processes.  

Black Friday Flash Sale!
Design House Prep School | Black Friday Sale

Thinking of registering for one more courses?  Want to gift some of our semester one courses for the holidays?  Now's your chance! 

Use our Black Friday coupon code for 30% off all our Semester I courses, including the class pass!

Black Friday will also mark when our first bonus video There's No Such Thing As A Bad Client will be available for anyone who has purchased a Semester I course (and will continue to be available for anyone to purchase Semester I courses in the future)

Any new students joining us through the Black Friday flash sale will have all the great advantages of our community as well, such as our facebook group, homework assignments and live Q&A sessions!

Use coupon code 'blackfriday' when you register! (coupon code only good on black friday) 

Victoria Rothwell
Master Class | Let's stop being proud of being a perfectionist
Design House Prep School | Master Class | Perfection | Dene Is Better Than Perfect

Something interesting happened the other day.  One of our students had posted a question on a facebook board she and I are both member of, and her question was similar to this: 

 

Any Type A perfectionists out there?  Who is so OCD that you have a really difficult time finishing a project?  I do a project, I'm unhappy with it, so I'll do it over and over and still end up hating it.  I've spent a ton of time, money and trouble stressing over wether or not I should even proceed with this as a business.  Does anyone else struggle with this?  How long did it take you to gain the confidence to know your work is up to par with your pricing?  (paraphrased) 

 

As creatives, we've all struggled with this.  We like to have control, we aim for perfection, and strive for excellence in everything we do.  Her question was absolutely relevant, but what was interesting was peoples responses (there were a lot of really wonderful responses as well).  

People jumped on the bandwagon of proud.  Proud to be so anal retentive that they never are happy with a project and will redo it 10 times.  Proud that it takes them 5x as long as it should because they see a tiny mistake.  Proud that they won't relinquish control, won't alter their process, and won't settle for less than perfect. 

Sound familiar? 

In my opinion, this is the dividing line between running a business and running a hobby: understanding the value of your time.  When running a business, we have to understand that done is better than perfect.  

I know the thought of turning over an non-perfect project to a client is unbelievable; how could you possible charge money for something that isn't perfect??  Oh the horror!  It's easy, and that's how we are able to make money. 

First, let's look at that illusive word: perfect.  How do you define perfect?  Without smudges? That you completed it at all?  Or are you comparing your level of work to the other artists that you stalk on instagram who have a decade of experience behind them and striving for their level of perfection?  Are you comparing yourself to someone's work who has more followers that you, more work than you and more clients?  That's not how we define perfect.

As artists, we have to define perfection closer to the definition of completion.  We know we prepared ourselves for the project well, that we gave it that time we had available, it meets the clients expectations and that we did our best under the circumstances we found ourselves in. 

We don't have all the time in the world.  There is a concept that we're going to be discussing further in next semesters Time Management course:  every decision we make is a sacrifice.  Meaning, every single choice we make in our daily lives is a sacrifice of something else we could be accomplishing.  When we redo work over and over, we're choosing to sacrifice the time we would otherwise have to: complete other projects, start a new fictitious project for our portfolio, create something for the holidays, educate ourselves, read a book, cook dinner, prepare the week's menu, run errands, spend time with our husbands and kids, etc. and most importantly, to work on other client work.  In addition to that sacrifice, we're also driving ourselves mad.  In the end, we find ourselves frustrated, tired, and with no more time. 

This is where that dividing line comes in.  Someone running a business knows they need to keep moving, because one client project overrunning it's time pushes off another client's project, and so and and so forth.  You can't get paid if you can't finish work in a reasonable amount of time.  

Your time also has a price tag on it.  Say you're billing $100 for a custom project.  The cost of materials is $10 in non-reusable (like paper).  It should take you two hours to layout the project and complete it, so on that project, you're billing a bit shy of $50/hour.  But instead, you take two days to do it, totaling 10 hours and you've gone through 4x as much paper.  Once you take that initial $100 and take out the cost of all the wasted paper (100-40=60) and then divide that number by the hours it took (60/10) you're making $6 an hour.  You'd do better working at Starbucks.  

When we're running a business, we understand that our time is the most valuable thing we have and it's definitely NOT worth $6/hour.  Understanding this idea makes it much easier to step away from a project and know when done is better than perfect.  

 

Here are some ways to break out of this mentality: 

Prepare yourself for your project:  I wrote the above quote twice (well, kinda.  the first try I only got through one word).  I wrote it twice because I didn't do this step.  I didn't prepare myself for the project.  Preparation saves us a ton of time redoing something.  Warm up your hand, layout your project in pencil, do a sketch, etc.  know what you're going to do before you do it.  Don't just expect to create something earth shattering by putting pen to paper and expecting magic to come shooting out the end of your pen.   I mean, I could have spent more time editing the calligraphy above as well.  The p and f are a bit shaking, but I didn't have the time in my day to spend 30+ minutes editing something that I know you wouldn't notice unless I pointed it out and isn't for a paying client. 

Never throw things away:  If you don't like something, don't toss it.  I first heard of this idea in an art class (and someone mentioned it on this facebook conversation as well) that the best art someone creates is very often in the trash.   A little perspective and time very often changes how we view a project. 

Finish it: if you don't like it half way through, finish it anyway.  Just keep going.  I do this with watercolor quite often, and if you follow me on periscope, you've seen me do this.  I'll be working on something, not happy with where it's going, but push through anyhow.  It challenges me to narrow down what exactly I don't like and then correct it.  For me, it's very often a color balance thing, and by continuing to work on it, it allows me the time to grow the depth of the art and color and bring in the balance I want to see.  I've learned that I prefer a look of layers, lots of pale, some medium and then some super dark on top.  Without finishing pieces I didn't like, I wouldn't know this. 

Challenge yourself:  do a 60 second sketching challenge, or three minute writing challenge.  Time yourself, give yourself a limit and complete a series of 10 things in one or three minute intervals. Learn to work quickly and efficiently and then move on to the next item.  

Walk away:  walking away from a project is often the best thing we can do.  Leave it over night.  I still do this - you walk away, come back later and your project magically looks WAY better than it did a few hours ago.  

Have an accountability partner:  some of the concern we generate is wether or not something is actually good enough to be selling.  Having an accountability partner is a great way of testing this - have someone else who has a great creative eye, even better if they're in the same industry, and it MUST be someone you trust.  Use this person to gauge your work and you theirs.  If something you do really does need to be worked on a bit more, trust them to tell you (and you to tell them).  If they tell you it's amazing and stop messing with it, you MUST trust their judgement.  

 

Understanding and embracing this idea is incredibly liberating and satisfying, and hopefully this brings you just a small step closer to accomplishing it.