Cyber Monday Flash Sale!
Design House Prep School | Cyber Monday

Get in early for Semester II registration!  We're opening up pre-registration for Semester II courses on Cyper Monday!  Use coupon code 'cybermonday' and get 20% off all Semester II courses, including the Class Pass.  

Semester II courses will open for full registration on December 12th

 

Design House Prep School | A School For Creatives

PRICING FOR CREATIVE BUSINESSES II

Our second semester pricing course will dig a bit deeper into the world of pricing.  We'll look at specific pricing examples in two industry categories:  custom calligraphy projects and building a pricing sheet as a paper pusher (i.e. stationer).   Pricing for custom calligraphy projects will include large scale quotes, wedding vows, family crests, large menus, large seating charts, etc.  We'll talk about how to price your time as well as the cost of product for these situations in addition to building your pricing as a calligrapher and the different pricing structures that are available.  The second example we'll get into is pricing paper, printing, assembly details, and your time as a stationer to cut down the time it takes to get quotes to clients and ensuring accuracy in  your pricing. 

 

CREATIVE: WATERCOLOR II

Following up our watercolor I course (color theory), we'll be moving in to more color mixing as well as understanding how different base shades mix together.  We'll be mixing custom colors to match pantone or printed shades, perfect if you're a calligrapher mixing ink to match a clients invitation. 

 

CREATIVE: CYANOTYPE PRINTING

Cyanotype printing, invented in 1842, originally had its origins in reproductions, specifically blueprints (hence the name) but also can produce gorgeous cyan or prussian blue prints.  We'll learn about the process and create botanical prints!  

 

CREATIVE: DESIGN BOARDS FOR CREATIVES

Following up our Sketching for Creatives and Establishing Your Creative Process courses in semester I, we'll be doing a course in design boards and how to utilize them in your own creative process to hone in on and communicate design scopes to clients.  Further narrowing your creative process allows for less time doing the back and forth with clients as well as reducing the amount of time spent with too many ideas flying around.  Design boards help both you as the creative, as well as your client, keep the end design goals in mind, stay focused, and work more efficiently.  

 

TIME MANAGEMENT

Learning how to prioritize, eliminate, stay on task and delegate is life changing - it certainly was for me.  Going from working 80+ hours a week to working 36 or less and taking the month of December off gave me the energy and drive I needed to build my business and stay sane.  In this course, we'll get into the nitty gritty of necessity, learn how to prioritize our time and tasks, and get more done in a shorter period of time. 

 

BRANDING 

In a creative market, branding is king (or queen, but she's a hereditary queen, so the king doesn't outrank her.  Theres a little monarchy humor for you).  We'll look at how to go about branding your own company, how to define your brand style, define your market and how to brand for it, and how to design for yourself (we're our hardest clients!).  We'll utilize design boards and sketching, working through our own creative processes.  

Black Friday Flash Sale!
Design House Prep School | Black Friday Sale

Thinking of registering for one more courses?  Want to gift some of our semester one courses for the holidays?  Now's your chance! 

Use our Black Friday coupon code for 30% off all our Semester I courses, including the class pass!

Black Friday will also mark when our first bonus video There's No Such Thing As A Bad Client will be available for anyone who has purchased a Semester I course (and will continue to be available for anyone to purchase Semester I courses in the future)

Any new students joining us through the Black Friday flash sale will have all the great advantages of our community as well, such as our facebook group, homework assignments and live Q&A sessions!

Use coupon code 'blackfriday' when you register! (coupon code only good on black friday) 

Victoria Rothwell
Master Class | Let's stop being proud of being a perfectionist
Design House Prep School | Master Class | Perfection | Dene Is Better Than Perfect

Something interesting happened the other day.  One of our students had posted a question on a facebook board she and I are both member of, and her question was similar to this: 

 

Any Type A perfectionists out there?  Who is so OCD that you have a really difficult time finishing a project?  I do a project, I'm unhappy with it, so I'll do it over and over and still end up hating it.  I've spent a ton of time, money and trouble stressing over wether or not I should even proceed with this as a business.  Does anyone else struggle with this?  How long did it take you to gain the confidence to know your work is up to par with your pricing?  (paraphrased) 

 

As creatives, we've all struggled with this.  We like to have control, we aim for perfection, and strive for excellence in everything we do.  Her question was absolutely relevant, but what was interesting was peoples responses (there were a lot of really wonderful responses as well).  

People jumped on the bandwagon of proud.  Proud to be so anal retentive that they never are happy with a project and will redo it 10 times.  Proud that it takes them 5x as long as it should because they see a tiny mistake.  Proud that they won't relinquish control, won't alter their process, and won't settle for less than perfect. 

Sound familiar? 

In my opinion, this is the dividing line between running a business and running a hobby: understanding the value of your time.  When running a business, we have to understand that done is better than perfect.  

I know the thought of turning over an non-perfect project to a client is unbelievable; how could you possible charge money for something that isn't perfect??  Oh the horror!  It's easy, and that's how we are able to make money. 

First, let's look at that illusive word: perfect.  How do you define perfect?  Without smudges? That you completed it at all?  Or are you comparing your level of work to the other artists that you stalk on instagram who have a decade of experience behind them and striving for their level of perfection?  Are you comparing yourself to someone's work who has more followers that you, more work than you and more clients?  That's not how we define perfect.

As artists, we have to define perfection closer to the definition of completion.  We know we prepared ourselves for the project well, that we gave it that time we had available, it meets the clients expectations and that we did our best under the circumstances we found ourselves in. 

We don't have all the time in the world.  There is a concept that we're going to be discussing further in next semesters Time Management course:  every decision we make is a sacrifice.  Meaning, every single choice we make in our daily lives is a sacrifice of something else we could be accomplishing.  When we redo work over and over, we're choosing to sacrifice the time we would otherwise have to: complete other projects, start a new fictitious project for our portfolio, create something for the holidays, educate ourselves, read a book, cook dinner, prepare the week's menu, run errands, spend time with our husbands and kids, etc. and most importantly, to work on other client work.  In addition to that sacrifice, we're also driving ourselves mad.  In the end, we find ourselves frustrated, tired, and with no more time. 

This is where that dividing line comes in.  Someone running a business knows they need to keep moving, because one client project overrunning it's time pushes off another client's project, and so and and so forth.  You can't get paid if you can't finish work in a reasonable amount of time.  

Your time also has a price tag on it.  Say you're billing $100 for a custom project.  The cost of materials is $10 in non-reusable (like paper).  It should take you two hours to layout the project and complete it, so on that project, you're billing a bit shy of $50/hour.  But instead, you take two days to do it, totaling 10 hours and you've gone through 4x as much paper.  Once you take that initial $100 and take out the cost of all the wasted paper (100-40=60) and then divide that number by the hours it took (60/10) you're making $6 an hour.  You'd do better working at Starbucks.  

When we're running a business, we understand that our time is the most valuable thing we have and it's definitely NOT worth $6/hour.  Understanding this idea makes it much easier to step away from a project and know when done is better than perfect.  

 

Here are some ways to break out of this mentality: 

Prepare yourself for your project:  I wrote the above quote twice (well, kinda.  the first try I only got through one word).  I wrote it twice because I didn't do this step.  I didn't prepare myself for the project.  Preparation saves us a ton of time redoing something.  Warm up your hand, layout your project in pencil, do a sketch, etc.  know what you're going to do before you do it.  Don't just expect to create something earth shattering by putting pen to paper and expecting magic to come shooting out the end of your pen.   I mean, I could have spent more time editing the calligraphy above as well.  The p and f are a bit shaking, but I didn't have the time in my day to spend 30+ minutes editing something that I know you wouldn't notice unless I pointed it out and isn't for a paying client. 

Never throw things away:  If you don't like something, don't toss it.  I first heard of this idea in an art class (and someone mentioned it on this facebook conversation as well) that the best art someone creates is very often in the trash.   A little perspective and time very often changes how we view a project. 

Finish it: if you don't like it half way through, finish it anyway.  Just keep going.  I do this with watercolor quite often, and if you follow me on periscope, you've seen me do this.  I'll be working on something, not happy with where it's going, but push through anyhow.  It challenges me to narrow down what exactly I don't like and then correct it.  For me, it's very often a color balance thing, and by continuing to work on it, it allows me the time to grow the depth of the art and color and bring in the balance I want to see.  I've learned that I prefer a look of layers, lots of pale, some medium and then some super dark on top.  Without finishing pieces I didn't like, I wouldn't know this. 

Challenge yourself:  do a 60 second sketching challenge, or three minute writing challenge.  Time yourself, give yourself a limit and complete a series of 10 things in one or three minute intervals. Learn to work quickly and efficiently and then move on to the next item.  

Walk away:  walking away from a project is often the best thing we can do.  Leave it over night.  I still do this - you walk away, come back later and your project magically looks WAY better than it did a few hours ago.  

Have an accountability partner:  some of the concern we generate is wether or not something is actually good enough to be selling.  Having an accountability partner is a great way of testing this - have someone else who has a great creative eye, even better if they're in the same industry, and it MUST be someone you trust.  Use this person to gauge your work and you theirs.  If something you do really does need to be worked on a bit more, trust them to tell you (and you to tell them).  If they tell you it's amazing and stop messing with it, you MUST trust their judgement.  

 

Understanding and embracing this idea is incredibly liberating and satisfying, and hopefully this brings you just a small step closer to accomplishing it. 

 

 

 

Master Class | Scarcity Mindset

It comes in different degrees and different manifestations.  It affects our work, our decision making abilities and our sanity.  We've all been there, and we'll all be there at some point.  

 

Scarcity Mindset.  

 

This is the mindset you fall into when you don't know when or where your next dollar is coming from.   The fear of not knowing this causes us to make very poor short term decisions that have a massive impact on our future self.  Scarcity mindset is our current self screwing over our future self.  

 

Living in the middle of scarcity mindset is a terrifying place to be.  It's a dark, frantic place.  I know this place very well, I've been there and the likelihood is that you've been there or are currently there.  

 

This is how it happens:  you have a passion, a dream.  Your dream is to quit the daily grind and have a job you're excited to get up to in the morning.  This dream job may be as a fine artist, it may be as a singer, dancer, calligrapher, photographer, programer, or designer.  It could be anything you suspect will bring you joy.  So in an epic fashion, you quit your day job to pursue your passion. 

 

However, you still have to make money.  If you haven't given yourself any overlap cash reserves, you're basically screwed.  Everyone wants to follow their dream, but no one bothers telling you how hard it will be.  

 

So you take whatever work comes your way, you're not picky.  When a client tell you have they have a budget of $500, you work your ass off creating a project that you're happy with and shows your work, regardless of how deep of a discount it took to make that budget work.   Your dedication and desire to succeed means that you spend too much time, effort and money completing projects so that they're up to your standard regardless of what the client can pay you. 

 

You discount your work, you do work for free to "build your portfolio," or "exposure," you do work for friends, family, and free work for clients.  You're working 50 or 60+ hours a week, nights and weekends, you're stressed, tired, frustrated and still not making any money.  Your house is a wreck, your life is a mess, and you have no time.  This type of erratic and frantic behavior also trains your clients to demand more of you, ask for more discounts, and expect a better product from you.  Every single one of them will take advantage of you, your generosity and your desperation.  Clients are like dogs, the can smell fear and desperation.  Now you're taking whatever work comes along, even though it's not really the "dream work" you had in mind.  You're not even proud of half of it because it's just not your style or aesthetic, but you "need" to take it because you "need" the money (need is in quotes because working like this generates so little profit that you don't really "need" that money because there isn't any).

Now you have demanding clients, you're working crazy hours, you're terrified and stressed about money, you're trying to build your portfolio with work that you don't like, but you also don't have time to create work you love, you're exhausted, and you think you're alone in this.  

 

You're not.  This is scarcity mindset.  

 

Scarcity mindset can be avoided and corrected.  Here are some of the ways we talk about avoiding it this semester:

 

- making sure you have some overlap cash from quitting your day job to going full time with your passion

- or make sure your passion covers your bills (and then some) BEFORE you quite your day/part time job

- go through the entire process of your passion BEFORE making it a business.  you have to not only love the passion, but love the process

- say no to work that isnt your idea aesthetic

- say no to work that isnt your ideal budget

- dont give discounts

- know and understand the value of your work and price accordingly

- stop being a perfectionists - done is better than perfect 

 

allowing yourself some overlap time and cash between your day job and passion job (this could also come in the form of a part time job) or making sure your passion covers all your bills before you quit allows you time to grow and curate your business slowly and wisely, and gives you the time to have your long term goals in mind rather than having them overshadowed by scarcity.   Creating a goal road map, understanding how much money you actually need, and choosing the projects that align with those goals builds value in your work in the long term and keeps you sane in the short term. 

Want to learn more about how to avoid it?  We go into great detail with scarcity mindset, getting your money right, when to quit your day job and what it really means to "follow your passion" in our Finding and Exploring Your Passion course.  

 

Showcase | Caitlin Jane Calligraphy

Caitlin Jane

@caitlinjanecalligraphy

Design House Prep School | Student Showcase | Caitlin Jane Calligraphy

I currently work full time in finance at a global pharmaceutical company (can I get a b-o-r-i-n-g chant going!?) and I am always dreaming of quitting my job and taking calligraphy full time, but I am so scared and hesitant.  I not-so-secretly adore Jessi Reesman and am soo excited to learn from her and meet all of the other students!

- Caitlin